Tava's Art Prints Described
[Part 2]
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Tava23 This print depicts Two Men photographed through a red gel. One man, waiting to be fisted is jerking the other's Cock
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Tava24 This print depicts Gilgamesh holding his Large Clipped Cock which is pierced with a Gold Ring At Its Tip. He is facing northward looking at Enkidu (not shown in this print).
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Tava25 This print depicts both Gilgamesh And Enkidu on the same pier as Print 24. The original 100' by 34' acrylic on corrugated iron mural (Circa 1979) was huge. The Landmark's Preservation Society tried to keep the pier from being torn down, but failed to do so. MOMA (The Modern Museum of Art) also wanted to save the mural for their collection, but it would have been too difficult and too costly to remove and preserve. Instead, they wrote about Tava & his art in one of their publications.
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Tava26 This print depicts what has become known by Tava and I as the "Golden Asshole." Originally the 59 1/2" by 29 3/4" acrylic on corrugated iron piece (Circa 1978) represented either Harmodius or Aristogeiton, but because Tava's generosity was taken advantage of by one of his "friends" before we met, and he lost clothing, money and jewelry, he decided to rename it "The Golden Asshole." Tava's original piece was a rear view of Harmodius or Aristogeiton. After the piece was robbed by gay "friends," & after Tava recovered it, he put gold leave on the figure's asshole, and there it remains and fades to this day! I'm sure you thiefs know Who You Are!
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Tava27 This print depicts The always Golden Haired Gilgamesh on one of New York City's Piers wearing an iron arm band. Acrylic on Corrugated Iron (Circa 1978)
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Tava28 This print depicts the upper torso of the always dark-haired Harmodius on broken marble with a golden hue surrounding it. From the Tomb of Harmodius (Circa 1980-1981)
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Tava29 This print depicts The Golden Sarcophagus Lid from The Tomb of Harmodius and Aristogeiton. The original Gold Gilt On Marble Lid is 78 1/4" by 34 1/2" by 1 1/2"thick and The Two Guardians are acrylic and metal leaf on corrugated iron 113" by 35" each. (Circa 1980-1981)
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Tava30 This print depicts Enkidu wearing an iron mask on one of the New York City Piers, pointing his Erect Cock - Pierced With A Gold Ring toward Gilgamesh (not shown in this print). -- The original acrylic on corrugated iron 100' by 34' mural was almost designated as a landmark by The Landmark Preservation Society, But they failed in their attempts to get the mural approved. (Circa 1979)
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Tava31 This print depicts Ageius, (possibly) a Classic Greek Wrestler. (If anyone has any more information it would be appreciated!) -- Tava painted the original acrylic on fabric 88" by 67" painting ,philanthropically , for the National Art Museum Of Sports. (Circa 1976). The piece was an early work, I'm sure, because Tava always hated it and made me quickly put it away whenever I was doing my Spring Cleaning.
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Tava32 This print is from
The Monument Redefined Exhibit [read more in "Harmodius Section" on this website]
and depicts the Guardians To The Tomb Of Harmodius And Aristogeiton without The Kiss Between The Lovers which would not have been acceptable as "Fine Art," because it depicted the actual "Kiss" between two men, by the critics of the day. -- Tava won first place for this exhibit chosen over such famous artists as Cristo & his wife. -- The original acrylic on concrete blocks spanned at least 200 - 300 feet in length, ommitting the central figures kissing on the outside mural to make a statement about the art critics snub of Homosexual Love. (Circa 1982)
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Tava33 This print is a black and white photograph of Tava standing beside his Mural Of Enkidu In An Iron Mask. Tava was six feet tall and was almost as large as Enkidu's Cock!
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Tava34 This print is a color photograph of Tava near his interior mural of A Man And A Dolphin. The blonde "Primitive Man" is standing Fully Erect with his arms raised in the air. (Circa 1977)
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Tava35 This print depicts The Iron-Masked Enkidu surrounded by the half-naked Pier "Sunbathers." -- (Read Pier Section on this website)
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Tava36 This print is a color photograph of Tava in a plaid shirt and red hanky in his back pocket pretending to paint [posing for the photograph, although this was the way he usually did paint] Gilgamesh on pier 51. -- As I've already mentioned Tava usually painted either nude or in a jockstrap! [see Print 42] (Circa 1979)
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Tava37 This print depicts Gilgamesh's and Enkidu's upper torsos and their Large Cocks in their hands. This print is framed in brown.
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Tava38 This print depicts Harmodius painted in acrylic on corrugated iron and wearing a Gold Gilt Cock Ring. His body is washed in dark brown tones.
(Circa 1979)
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Tava39 This print depicts Two "Primitive Men" sketched standing Back to Back. One has a beautiful "Bubble Butt." The other man is "Beating His Cock" The original was scratched out on a broken concrete wall of one of the interiors of the piers. The concrete's Broken Wire Supports are visibly twisted around the piece. (Circa 1978)
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Tava40 This print depicts a close-up view of the Man's Face from the "Man and the Dolphin" print. An open can of paint with lid lies nearby.
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Tava41 This print depicts Tava representing Christ, in the rarely seen pornographic film "Him -- The Sex Life Of Christ." Tava is naked holding a full size cross over his shoulders and passing a store window that reads "Mutual Screw & Supplies." It's a "Great Fun Print." Ironically, I saw this film in the 1970's at the Adonis Theater years before meeting Tava. -- Photograph in Black and White (Circa 1973) -- Note--I'm trying to find more information on this obscure film and photograph which I viewed at the Adonis Theater Way before I met Tava.
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Tava42 This print depicts Three Color Photographs: The center is a woodcut rubbed with red ink of The Man and The Dolphin. It is flanked by twin photographs of Tava painting the pier murals In The Nude with the Jersey Side of The Hudson River in the background. There is a print that was made into a postcard that showed only Tava's boots on one of the ladder's lower rungs. -- The rest of Tava's "Painting Outfit" was usually only a chewed up jock strap, or Nothing At All!
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Tava43 This print depicts A large mural of Gilgamesh And Enkidu on the piers wearing Iron Arm Bands, and flanked by Two Playful Blue Dolphins. The original was a huge mural done with Acrylic on Corrugated Iron.
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Tava44 This print depicts a mask of "The Earth Mother And Mistress Of All Creation: The Goddess Ninhursag" also known as "Aruru," from The Gilgamesh Opera performed in the early years of The Pyramid Club by Madame (Larry Ree) and John Kelly (Who many may remember performing as Joni Mitchell annually at Wigstock) and their famous ballet troupe.
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Tava45 This print depicts a mask "Shamat" The alcolyte in "The Temple In Honor Of The Goddess Inanna." from The Gilgamesh Opera performed in the early years of The Pyramid Club by Madame (Larry Ree) and John Kelly and their famous ballet troupe.
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Tava46 This print depicts a mask that might represent "Enlil" The god whom decides "That Enkidu Should Die" from The Gilgamesh Opera performed in the early years of The Pyramid Club by Madame (Larry Ree) and John Kelly and their famous ballet troupe.
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